Kolaveri
or killer rage
The full
scale rage sets in,
Blood
boils and skin seethes;
Full
scale hate in oneself—
Wish to
hit at something.
Eager to
satisfy
Motive
just half aware,
Galore
media vents,
Impulse:
the route of pulse.
Targets
lame nondescript –
Avoidable
burden;
Salt and
pepper tasty,
No room
for heart and mind.
Heady
cocktails mix well,
Hugged
emotion nasty,
A
disguised enemy,
Shows
bearer one’s own grave –
Weary
cloak closes with lid.
Haiku
(Japanese poem of 3 lines with a seasonal word
reflecting human element in nature- with less than 17 syllables in 3 lines and climactic
last line)
spring…
her
widened eyes
croon
His tune
summer…
her
sweating eyes chant
His
name to no end
autumn…
eyes
half-closed
she
still waits on Him
winter...
her
freezing eyes hug
His image
closer
snowstorm...
aftereffects
baby smile
ice
in diaper
jasmine
in
her hair
wet
the spring’s parting
diwali
burning holes in
pockets yet
harmless mirth
aglow
post-downpour
my
kerchief drips
her
blunt no’s
for
December feel
I
turn AC to coolest—
Chennai
winter
smoke
and fog merging
under
their blanket…
elope
over smog
love here winter
sun;
not closer North
freezing Pole
oh brother
sankranti*
eve…
homeward
vacationers beam
busloads
at stations
Senryu
children’s
day….
with
a balloon on the road
a
boy selling tea
blanket clouds ...
spreading starlight
the urchin shivers
matrimony
made
for each other:
fault-finders
for life
Dussehera…
strayed
fire engine dousing
Ravan
effigy
terror
scene…
vendor
on a gurney now
fresh
vegetable
december
morning…
I
develop severe haiku
to
sneeze out senryu
new-year morn…
I squeeze more
toothpaste
to sparkle wishes
All
in a day's work
I
landed here to play
Have
not much long to stay
Yet
will have a field day
With
first innings in sway
What’s
in store known no way
Wear
’n tear comes to stay
I
use sun to make hay
Praying:
all in a day….
At
last long poems!
It
was a long time I wrote
A
poem that is really long,
Before
I found you out.
Your
glorious face tied me down.
I
lay at your golden feet
From
where I gaped at your face:
One
that had no depths,
Only
your eyes sparked.
I
started from your feet,
Upwards,
for a place
To
keep my flowers,
Out
of my blind devotion.
Soon
I found you have no body,
Only
you let us be your corporeal mass...
Now
I write poems,
those
are long and strong.
Love all— not
in dirty pictures
I say it’s like
liking strangers,
A thing or
concept forever,
Unprompted and
unqualified,
As if it is in
the system,
Feeling,
instinct indefinite,
And unique,
when recognized
Or even not;
blind as a bat,
Catching,
private, cultivable
By habit or
education;
Borders on
culture and training
By Faith,
conviction in others—
Increase after
understanding;
And oddly
enough to an extent
After hatred;
and finally my word:
Absolute love
hates but none,
Owns them all,
wise or otherwise,
Only for love’s
sake, call love any name.
Hail one, the
lovesick, who shall win
At Life game
even from ‘Love all’!
Romantic
boyish charm ends with Dev Anand at 88
The
evergreen romantic hero from Indian cinema, Dev Anand, died in London, on
Saturday night following cardiac arrest. Muse India mourns the death of the
icon, a legendary movie star for more than six decades. Dev Anand is survived
by his wife, son and daughter. The flamboyant actor, producer and director is
known for his charismatic roles in scores of movies, including "Jewel
Thief" and "Guide."
Born
Dharam Dev Pishori Anand, 26th September, 1923, in Pakistan (undivided Punjab
in Colonial era), Dev Anand graduated in English Literature from the Government
College, Lahore.
Dev
Saab was honored with the prestigious Padma Bhushan in 2001 and Dada Saheb
Phalke Award in 2002. Dev Anand won two Filmfare Awards. He co-produced
‘Guide’, the English version, with the Nobel Laureate Pearl S Buck (‘The Good
Earth’). He received a Filmfare ‘Lifetime Achievement Award’ besides a Screen
Videocon ‘Lifetime Achievement Award’.
Jewel
Thief, Johny Mera Naam, Hare Rama Hare Krishna, Des Pardes, CID, and Paying
Guest are some of his memorable films.
Many
used to puff the hair as high but few could do as near as his glowing smile and
characteristic nod and other distinctive mannerisms. The great artiste is
termed as the style Guru for his fashion statements in Bollywood until he died
“on his own terms”.
Film
songs screened on Dev Anand are alive and continue to do so in the minds of his
fans. Following are some numbers: Khoya Khoya Chand ((kala bazar), Gata Rahe
Mera Dil (Guide),Yeh Dil Na Hota Bechara, Nafrat Karne Walon, Hum Hai Rahi Pyar
Ke, Dheere Dheere Chal Chand Gagan Mein, Tere Mere Sapne and Main Zindagi Ka
Sath Nibhata Chala Gaya.
In
his death, a huge void is felt in the entire Indian film industry. May God rest
his soul in peace!
Courage
Earth
belongs to the courageous,
Who
have one trait absolute
That
keeps faith in oneself;
For
he or she is not afraid
Of
setting goals worthy and tough,
Fears
not falling down from the set ones,
Or
yields not to temptations—
Tend
no fear or favor.
The
word courage is stronger to brave,
as
one can be not so brave
Yet
be courageous having conviction,
And
sticking to his or her word—
not
wavers from goals
Against
one who can be foolishly brave,
like
child not knowing pros and cons,
The
courageous are honest;
And
finally the right and virtuous
Can
only be courageous like Gandhi.
Who
and what big boss to me...
I was watching a TV show. It must be a hit among young viewers. It revolves around a set of celebrity inmates under one roof round the clock. They looked like bickering all the time on some other thing, and one was even getting into tantrums.
I was watching a TV show. It must be a hit among young viewers. It revolves around a set of celebrity inmates under one roof round the clock. They looked like bickering all the time on some other thing, and one was even getting into tantrums.
The idea of the reality show became obvious to me. I thought it must be a very testing time for those inmates while getting along well, or for that matter, fighting their way to survive the season among other inmates with the heterogeneous and manipulated emotional equations which are dynamic. Conditions and overall ambiance of the living quarters and thereabouts are attractive enough to me as a middle class urbanite. Yet the inmates have to cook and wash by themselves, not to my taste. The crux lies in how inmates would last in the good books of audiences as well as the other inmates. A voting system is in place when an inmate is voted against by others every now and then in a week or so, and replacements made basing on the organizers’ and public opinions.
As it is, they were doing a tough time away from world, especially their near and dear. It must be like living in jailhouse while the camp has a makeshift prison strangely. After all, keeping one’s wits intact for a prolonged time, 24/7, is no mean feat (really mean, my daughter says) in the company of near strangers.
Voyeurism is increasingly becoming the key seller in today’s TV. Viewers from the comfort of dressing rooms wish to see how bad the inmates feel and behave at any point of time of day or night. The 'house' is ridden with cameras and snippets of the inmates at their various activities captured are shown to the viewers schematically. Microphones grab discreet gossips at the lowest levels, mind it.
Well, after a few episodes I was getting increasingly curious of the tidings, while my daughter was having her own reservations. It looks she wanted to see the show all by herself. One day, a contestant was given the gate for the so-called violence. I felt sad for the inmate who was evicted. It is better to term inmates as contestants.
Here I remember my mother-in-law's visit way back. May she rest in peace still! She stayed for a whole week. During her brief visit I was tight lipped or talking so cautiously with my wife. I was even respectable with the kids. I was helping out in the kitchen too. While watching TV, I was not much outspoken on politics of the day. My wife knew the change and kept inviting her soon after.
At last I approved the show; whatever if I don’t, my daughter would say. The few episodes gave me some rare practical lessons, i.e. how I should communicate with strangers, be they guests, neighbors or co-travelers in the public transport. Next is how I should present myself in testing times, to be honest and show it on the floor, even in sleep; how forthcoming I should be in my total personality in a positive way, to live and let live; how I should win others completely at the first instance and all the way till curtains.
It occurred that acting will not help, when people judge one like from an open book. But I guess it is only half the story for the reason that public opinion is governed by several stereotypes; I have to neutralize ‘stereotypes’ to be in the good books of the others. Some are: which part of the land I am from; whether I came from rich or influential family, where I studied, fair-skinned or not so, what accent I have, how do I dress about, what perfume I wear, and lastly, am I male or female. They include the way my name is spelled. I should fight those stereotypes, which are odds, to present my best, and win others. Also I need to train myself not to be led by similar stereotypes while judging others.
అందమంటే
ఇప్పుడు!
అబ్బో ఎంత బావుంది!
ముట్టుకుంటే సిగ్గుపడేలాగుంది!
కొంచెం అడ్వాన్సు అయ్యాను.
కాటేసింది,
అందానికి అదేమి పాడు బుద్దో!
అయినా కూడా విప్పుతూ పోయాను,
ఎవరూ చూడడం లేదని.
చూస్తే, లోపల ఏం లేదు!
అనవసరంగా వేస్ట్ చేశానా?
అందరి కుర్రాళ్ళ లాగ?
ఇప్పుడయితే ఉంచుతాను
డ్రెస్సింగ్ టేబుల్ మీద.
అంతకంటే ఏమిచేస్కుంటాను,
మరి పూల అందాలని ఇప్పుడు!
What beauty now
Oh, there I saw a beauty.
Seemed shy on my first touch!
I advanced further—
Duly stung then;
What a shame for beauty!
Undeterred, I began
With none in sight,
Undressing the beauty;
Found nothing inside rather.
Like the youth of my age, I did waste.
What I do with beauty now
More than placing on my dresser?
What do I these days
Do with flowers
and their beauty?
(My first ever self-translation from
Telugu)
Never
amiss this love sublime!
It
is like that sunny day again,
or
was it like on that moonlit night-
like
when I was in love?
I
see butterflies and my bygone Lily;
as
flowers reflect my past love,
get
softer over time.
I
see the snow on rooftops;
my
lover was still in her radiance,
like
my soft prayer in its cadence.
My
breath no longer holds still,
yet
I wish the rain dripped on leaves along,
strings
of heart sung, even and strong.
My
feelings always reflect that old bliss;
Pray
peace of mind never amiss!
(Also
published on poetry.com, 2008)
Stuck
with cabin fever
Blown
away by the avalanches
Of
pictures and words,
Equally
by those sound bites,
Sans
messages any…
I
shrunk deeper into the crevices
Of
what remained of mother earth
After
the oceans covering three parts
Of
us and ebbing with marvelous life,
And
that includes happily many deserts
And
uninhabitable lands which also include...
Alas,
my dried up rural India.
So
I looked up at the pleasant sky,
Listlessly
wiped the screens of polluters,
To
see into, beyond the pleasant starlight,
For
some reclusion… and pity it was,
There
lay in the universe a replica
Of
what is contained in this cell.
That
made me put with my cabin fever
And
climb through the mess for good.
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